Displaying items by tag: Progressive Rock

In the modern guitar world, few names resonate as profoundly as Grammy-winning producer, engineer, virtuoso guitarist, and multi-instrumentalist Larry Mitchell. Renowned for his spellbinding techniques, soulful compositions, and eponymous signature sound, Mitchell has carved out a niche that defies genre boundaries, seamlessly blending rock, jazz, blues, and world music influences.

During his star-studded journey, Larry recorded and toured with icons such as Tracy Chapman, Ric Ocasek, Billy Squier, Miguel Bosé, and Nile Rodgers. He collaborates with Steve Vai, Joe Satriani, George Lynch, and Doug Doppler, among many others, produced award-winning records for a variety of artists, and released several solo albums since emerging on the scene in the late 1980s.

Remarkable events in the field of CD publishing in Russia (especially Events with a capital E and not only in Russia) have been rarities for a long time. It seems like just the mere fact of a CD release would be considered as a major event there… Especially if this is a CD under the name of Anton Garcia, the guitarist and vocalist of the former leader of Moscow technothrash band Shah, which is a serious collection of classic progressive rock numbers and far more than just an ordinary CD release. Still Hopeless Time is not a cult album at all in the common sense of the term.

Exclusive interview by Vsevolod Baronin with Royal Hunt leader, André Andersen
Taken on 12/10/2020, Moscow, Russia. Originally published in Russian.

There is a serious suspicion that Dystopia — Part I, the fifteenth studio album by Royal Hunt, an international act from Copenhagen, released in December 2020, went relatively unnoticed, not only because of the newfangled contempt of listeners for the physical media (records and CD’s), but mainly due to socio-economic perturbations around the fancy coronavirus pandemic.

Interview by Vsevolod Baronin. 
Taken on 10/25/2008, Moscow, Russia. Originally published in Russian.

What is eccentricity for a world-class rock musician? Play 20 notes per second? To patent a seven-string electric guitar? To record a live album with an unheard-of and unimaginable creative concept? Or, finally, go on tour with master classes in Russia, not excluding cities like Ryazan that are quite unique for a musician of such level? Well, since Steve Vai, who does not need the introduction as the electric guitar maestro, did all of the above, we can award him the title of rock eccentric #1. Surprisingly, when communicating in person, Steve turned out to be not at all the character that his music and stage shows represent, but a very polite interlocutor who answers even the trickiest questions in great detail. Steve's answers, of course, sometimes radiate hints of the aforementioned eccentricity and that's why they are good: they allow you to look at familiar concepts from a completely unexpected side, which, perhaps, would never have occurred to a person who is not a rock guitarist of a truly galactic level.