Displaying items by tag: Album Review

The global music scene was shattered with Beyoncé’s eighth studio album act ii COWBOY CARTER, a shockingly disruptive and, in the eyes and ears of many, controversial yet perfectly performed and produced masterpiece, which smashed streaming platforms, airwaves, and news outlets on March 29, 2024, following the monumental release of two lead singles, "TEXAS HOLD 'EM" and "16 CARRIAGES" on February 11, Superbowl Sunday. 

In this groundbreaking work, Beyoncé embarks on a bold musical journey that transcends genre boundaries, rooted in the rich tradition of country music while pushing the boundaries of artistic expression. With her trademark creativity and fearless approach, Beyoncé delivers an album that pays homage to musical pioneers across genres like Country, Rock, Classical, and Opera, and it celebrates the past while charting a bold new course in Americana culture while valiantly redefining the soundscape of Americana culture.

© 2017 Pavement Entertainment PVMT 6070 | 21 track = 68'35"

The first official, a non-promo compilation of Chicago modern metallers SOiL features the piece “The Hate Song,” among others. Originally it was released on the studio album Whole (2013), the band's reunion with vocalist Ryan McCombs. And it is very surprising that the harsh musicians did not dare to call the collection Hate Songs: such a title (or, Songs of Hate) would suit this quite monumental collection much more than the somewhat vague and neutral name of Scream. 

You probably already think that this introduction will be followed by about 2,000 characters of reasoning about why the author of this review does not like SOiL as well as all modern metal, as in terms of the 90s?

JOHN IVAN, GuitarSlinger

© 2024 John Ivan Belousov / Bestia Records (number n/a), 9 tracks = 59'05"

Hope you remember the days of triumph of the mighty US label Shrapnel Records — not only the first American metal label but, far more importantly, a kind of springboard for quite a number of guitar talents all over the US and the world. With a string of albums of such great players as Tony MacAlpine and Paul Gilbert (as a member of Racer X), that label and its boss Mike Varney, a good guitar player himself, wrote the modern rock formula of what an instrumental album of the 80s and 90s should be.

Sadly, such kinds of albums of little-known or even unknown guitar virtuosos are nowadays extremely rare, but a debut solo CD by Ukrainian musician and producer John Ivan Belousov has all the generic traits of those Shrapnel Records of old. Raised on a heavy diet of Yngwie Malmsteen and, eh, aforementioned US shredders, John was once a candidate for one of the last “true” line-ups of the legendary Russian thrash metal institution Master, although his own band Bestia, based in the city of Nikolaev in Ukraine, played a pure US power/speed metal and drew many comparisons with Racer X (again!) even back in the 90s.

The release of “the best of…” compilation albums by any accomplished artist is always a major and highly anticipated event, praised by fans and the press. More importantly, such work is expected to be a signified mark set upon a certain, often pivotal point of the artist’s career, embarking on the upcoming new chapters. "The Best of NZM" by the prominent South Florida power metal band NZM, released on July 19, 2024, via FireRock Music Group, is just that.

NZM, led by brilliant vocalist, virtuoso keyboard player, and producer Nick Z Marino, introduced their exceptional work throughout the years, which features the band's greatest hits, fan favorites, and rare tracks, capturing the essence of NZM's high-energy and emotionally charged performances and powerful sound, including their latest hit single “No Innocence," offering fans both a nostalgic journey and a fresh perspective on the band’s musical evolution.

Thunderous riffs charged with the raw energy of purely aggressive and uncompromised hard rock and catchy melodic hooks comprise the foundation of Chicago rock masters The Outfit's new studio album, "Go." The album was released via Pavement Entertainment, marking their third release, following 2020's "Viking."

"Go" was expertly engineered by Chicago music stalwart Matt Mercado at Sonic Palace Studios in Oak Park, Illinois. It was mixed in Los Angeles by Grammy-nominated, multi-Platinum producer Ulrich Wild, known for his work with Pantera, Static-X, White Zombie, Deftones, and Breaking Benjamin, who produced densely tight, yet well balanced high-quality sound.

For decades, US and British artists dominated the rock scene with just a few exceptions, until  globalization, the internet, and social media overturned the entire music industry on the brink of the millennia. 

For heavy music styles in particular, the artists’ origin is no longer a factor for popularity and acceptance in the United States. It opened an incredible opportunity for Oceans on Orion, a modern metal powerhouse from the vibrant cultural landscape of Israel that has already made its mark on the rock scene in the UK and Israel since 2019, and they are regulars at Israel’s major metal show PsychoWard Fest.